of individuals; however, the two writings take very different approaches.
The Civilization of the Renaissance in Italy, published during
Burckhardt's lifetime, represented a more conservative approach, emphasizing
the analysis of artifacts and literary sources. Focused entirely on
historical subjects, it contained very few statements of a speculative
or philosophical nature. The Greeks and Greek Civilization used
a more radical approach. It included a lengthy discussion of the purpose
of cultural history. Moreover, it set a out plan for the use of cultural
history to revitalize education and to impart a sense of history to
Burckhardt's contemporaries.
Discussing the individual plans of The Civilization of the Renaissance
in Italy and The Greeks and Greek Civilization would prove
futile if the major influences on Burckhardt's work, his Swiss background
and the publication of Hegel's Lectures on the Philosophy of World
History did not receive consideration. Born and raised in Switzerland,
Burckhardt belonged to an old and well-established family in the Basle
area. His family, referred to as the "Medicis of Basle," had economic
and political influences in Basle since at least the sixteenth century.1
The general pessimism and persistent doubt found in Burckhardt's writings
stem partly from what the Francophone Swiss have referred to as "le
malaise helvétique."2 Literally, "Swiss discomfort," the
expression captures the sense of social isolation fostered by Switzerland's
long history of independence and prosperity. Looking out on a chaotic
Europe, Swiss observers like Burckhardt had little hope for Western
Europe. Pessimism seemed a natural consequence of the contrast between
France, Italy, and Germany, who sought to redefine themselves politically
in the nineteenth century, and Switzerland which enjoyed political stability
since the thirteenth century.
Considering Burckhardt's background, it is not surprising that he did
not accept Hegel's presentation of a philosophy of history. Influential
throughout the nineteenth century, Hegel attempted to supersede previous
forms of history with an abstract theory that he called "world history."
He briefly defined it as: