innate habits and impulses with contingent experiences provided Burckhardt
with a model of societal change. Burckhardt's model of change, unlike
the dialectical evolution of the Hegelian spirit, conceived the experiences
of individuals outside of metaphysics.
Furthermore, Burckhardt's study of morality revealed one of the most
complete images of his concept of spirit. He investigated the spread
of the vendetta thorough Renaissance Italy and concluded that
"the whole man with his sense of fame and scorn . . . must be victorious."31
The Italian of the Renaissance was preoccupied with the individual to
the point that justice became a matter of individual taste. By connecting
the rise of humanism with the spread of the vendetta, Burckhardt
outlined the general, artistic trend of the Italian population. Hence,
the vendetta acts as an artifact of the Italian people, revealing
an essential aspect of the meaning of living in Renaissance Italy, an
aspect of Italian "spirit."
Similarly, Burckhardt treated religion as a personal expression of
views directed towards a greater entity. Thus he transitioned his discussion
of morality into a discussion of religion:
The morality of a people stands in closest connection with its consciousness
of God--that is to say, with its firmer or weaker faith in the divine
government of the world, whether this faith looks on the world as
destined to happiness or to misery and speedy destruction.32
Relating morality and religion as generalized outlooks of the world
suggests a means of measuring a given society. Instead of relying on
the assessment of Hegel's notion of "spirit" as a means of producing
a general picture of a society, Burckhardt chose religious practices
as a means of classification. That is, how a society relates to a greater
institution enables the historian to gauge what that society values
or does not value. Moreover, the forms religious beliefs take at a particular
point in time result from the intersection of traditional beliefs and
contemporary culture, thereby embodying Burckhardt's sense of the interaction
between the inherited and the contingent.
Burckhardt's use of religious views as a touchstone for social character
stands in stark contrast to Hegel's rigid comparison of other societies
to his own view of Christianity. Burckhardt's treatment of religion
emphasized a historical understanding of his subjects instead of a philosophical
investigation on the aspects of the "spirit." He considers religion
as a unique collective expression of individuals worthy of