establish vantage points from which to view the events."39
Studied in isolation, events appear analyzable and discrete, but when
culture is considered, the effect of the world in which people live becomes
clear and, hopefully, events will seem less critical.
Burckhardt offered his course of study as a means of making "classical
studies immediately accessible," as part of "a shared humanistic education."
The study of Greek literature provided a foundation for the course since,
"in the case of the Greeks the expression of the things of the mind
has at least the merit of being more lucid than it is anywhere else."40
The Greek experience as conveyed through writing, provided, in Burckhardt's
estimation, an ideal example of intellectual achievement. The precision
of Greek thought served to demonstrate the humanistic spirit absent
from nineteenth-century Europe.
The use of classical Greece as a model of civilized life did not originate
with Burckhardt or in the nineteenth century. As he correctly asserted,
"the civilization of Greece and Rome. . . since the fourteenth century
obtained so powerful a hold . . . as the source and basis of culture,
as the object and ideal of existence."41 Yet he objected
to the contemporary use of classical literature, noting that, "the grammar
schools' higher education prepares the child of the cultivated classes
to be a Professor of Classical Studies." Burckhardt, proposed, in contrast,
"to do everything possible to preserve a living feeling for ancient
Greece." Instead of holding up a select few ancient authors, he claimed
"that every classical author of repute is a source for the historian
of culture." He further expressed interest in "material conveyed in
an unintentional, disinterested, or even involuntary way."42
Burckhardt thus hoped to replace the traditional use of classical authors
as a source of material for literary study with a study of classical
authors for their personalities and individual modes of expression.
Burckhardt's novel use of classical authors coincided with his views
on the entire process of studying them. He proposed to
Take the narrative authors first . . . they convey a knowledge of
the Greeks and their perception of the external world as well as their
inner habits of thought. As to poetry and philosophy . . . seen from
the point of view of cultural history they are a celebration of an
incomparably gifted people of the past, a bygone and yet still living
spiritual manifestation of the highest order.43